LED

RDM – Remote Device Management

RDM – The LED Conundrum Part 2

Let’s talk a little bit about RDM. RDM (remote device management or remote duck management) is a way to remotely change settings on DMX/RDM lighting fixtures. 

In case you missed the first installment of this series : The LED Conundrum Part 1

What you are supposed to be able to do is to plug a lighting fixture into a DMX/RDM certified network and have the lighting console identify “Oh, that’s this kind of lighting fixture. It requires this many DMX channels and is currently addressed to this DMX starting address.”  You then would be able to remotely change that and other information. 

You are supposed to be able to remotely change the mode the fixture is running in, so if it was running in RGBW and you want it to be running in some other mode,  you should be able to remotely change that. You are supposed to be able to remotely change the DMX starting address. (Can you tell that this “supposed to” treatise is leading somewhere…..) 

Yes, you are supposed to be able to remotely change other factors, too, like special effects and things within the fixture. 

When you take a company that is, let’s say, probably the largest console manufacturer in the world in the lighting industry and their DMX implementation is reportedly compliant to the standard, and you hook the fixture up to the system,  it is supposed to respond with  “Hey, hi there fixture. What are you, what are your parameters? I want to change your starting address. Let me do that.”   

That superb console manufacturer is what we use as a standards reference.  We find that some manufacturers’ fixtures just don’t show up or if they do show up, they don’t show up with all the correct information or they show up with some of the information but don’t let you change it. 

So, here are just a couple of examples of what we ran into when we hooked up a fixture to one of these consoles. 

The fixtures shows up and it says to the console “Oh, that’s an LED fixture. It’s operating in 16 bit mode, starting on address 10 and it requires 17 channels, whatever it was.”  What kind of fixture? “Unknown.” It really didn’t work properly. 

So, I went into my console library and found the fixture since I actually knew what it was and the system wasn’t telling me. It said, “it is a fixture that does this stuff” and once I pulled down its profile, it worked fine. However, it would not allow me to change it. Can’t change start address, I can’t change it from 16 bit mode to 8 bit mode, et cetera. 

With other fixtures  that I’ve tried from various manufacturers, some of the data did not show up at all. Some of them show up with random issues when you try to RDM search or flash them on a network, all kinds of problems. (Let’s not even talk about house lighting manufacturers where you put everything on a network and nothing works. Talk about a disappointment.) 

So RDM is an interesting theory, if the devices out there were truly compliant.  So RDM obviously can send the data back and forth. The problem is that a lot of people are not fully implementing it and are not sure why. 

We don’t have access to every console on the market so there always is the possibility, since I’m not a real like digital protocol wizard, that some manufacturers have certain data packets that they have designed to only send to their own stuff.  If that were the case it would seem to be a very shortsighted way of doing things. 

If there is anybody out there who knows more about this, I’d be curious to hear your take on it. I have had many  talks with that really big lighting manufacturer to find out if they have any ideas, too. In the past when I have talked to them about it they’ve said, “Nope, we’re not trying to block out anybody else’s stuff. Their product just doesn’t work properly.” 

Bottomline, for someone who needs to use RDM, it can be a nightmare. Let me give you a picture of what you could run into. 

HOUSELIGHTS

Let’s just say you put up a new building and there are a hundred house lights and they are all DMX/RDM (supposedly). And the electrical contractor you hired didn’t check the firmware version, didn’t test the fixtures, didn’t do anything which he was required to do under the specifications before he put the fixtures in the ceiling. You come in and try to find the fixtures using RDM and you find that, let’s say 50% of them don’t respond. 

So the question becomes, are 50% of them defective or are they just not set up properly? Now you have to battle through that. Sometimes you have to crawl into the ceiling, which can be fun if the ceiling isn’t something you’re able to crawl into, and manually find a way to address these fixtures.   

This usually means taking them off the network and using a handheld controller, which often with a single fixture, when that controller is available from the manufacturer, will let you address their fixture. 

Sorry to say it but that is what you may have to do. Maybe their fixture isn’t even designed to work with the world of entertainment lighting and is only designed to work with their handheld plugin. Not such a good thing. Our recommendation for house lighting is to make everybody address every single fixture and test it before it ever goes into the ceiling. It is extra work for the electrical contractor, but you can see that the alternative can be a nightmare. Testing first is much less work than taking the ceiling apart later. 

THEATER FIXTURES 

Now, let’s just say, on that same system, you’ve got say a hundred theater lights form  three manufacturers and they’re all supposed to be RDM/DMX. Now, when you plug them all into your data network and you start looking for them, only some of them show up telling you what they are and how they’re addressed.  Hopefully, some of those you can actually remotely fix. Wonderful. But then you discover that a lot of the other ones, which are from different manufacturers, tell you nothing at all.   

Now you will have to manually address those, physically get to the fixture, get to the menu, set it up and address it. Then find a library profile for it to work. 

That gets you going but in  the future, if somebody wanted to remotely change the setup because of the way they want to run a show, it is not possible. You are stuck. 

One of the key things to know is that if someone’s going to end up with a system where they cannot remotely address certain fixtures, they must be made aware of that in advance. 

One thing we recommend highly, (even though in the professional world this would seem odd), is to physically mark the original DMX address and DMX universe on every single fixture. Labeling them will tell the user that, “Oh, this fixture was on universe one channel 250 when it was originally installed, which means if I just plugged it into universe 2 it is not going to work. 

If I plug it into universe 1 and I’m trying to call it up on channel 300,  that also is not going to work.” And they’re going to have to manually readdress that fixture. Also mark on the fixture “does not RDM” so they know to set it first before use. 

Sometimes you just have to mix products and, unfortunately, the end user is left dealing with the problem, but they need to be made aware. In the public bid market, there is often the “or equal” clause. 

So when a fixture says on paper that it is RDM, you are expected to believe that. Sadly, there are times that it turns out to be completely not true. At other times, it turns out to be partially true. Some of those problems are really hard to address because they are not consistent. 

My advice: buyer beware. Test before you buy. 

We do. 

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Copyright AVLDesignsInc 2020

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The LED Conundrum – LED Theater Lighting

A brief discussion on LED lighting for theater.

“Everybody says they want LED theater lighting, yet we hear many people say that they have it and hate it. Totally believable and we know why – they got the wrong LED’s for their application.”

LED Theater Lighting solutions #lighting #theater

In the old days of analog lighting (meaning incandescent and  halogen lights) lights  pretty much turned on and off and up and down when you told  them to. If you wanted to dim those lights, there were a variety of devices that would  dim them pretty well with the occasional lamp sing noise. (For those of you who don’t know what “lamp sing” is,  it is a buzzing of the filaments in the lamp that is audible. It can be heard as a buzz when the lights are dimming. Good dimmers didn’t produce that noise. Cheap ones produced it in various forms depending on the dimmer.)

Thanks to flat screen TVs, we enter the wonderful world of LED lighting. Yes, that’s right – television is at fault for LED lighting. Somebody realized that a nice flat screen display actually made colors and light all at the same time. That seemed like a good idea for lighting,  which it is except it has a bunch of problems (what a surprise.)

LED accomplishes a variety of things other types of lighting technology could only hope to do. Energy efficiency is one of those things – about 25% of the energy for the same light output. But the best thing about LED is the ability to change color. Being able to pick any color of the spectrum without a gel inserted in front of the fixture is really kind of spectacular. The problem is that getting the color requires a sophisticated array of LEDs and a driver, which is basically a computer telling a variety of LEDs what to do. So now you have a room full of small computers!

Another problem with LEDs was how to get them to look like theatrical lights do.  Most theatrical lighting uses lenses to provide focused tight beams of light. These beams of light have sharp edged capabilities that allow lighting designers to light just what they want to and not have light spilling all over the place.

 

The first group of LED offerings couldn’t really do that because they were groups of individual LED’s that provided a wash of light not a focused beam. (In the wash of light there were also issues. They had to use individual color LEDs to create the lighting field so the whole lighting  field was not smooth nor consistent.)

LEDs have come a long way and some are just as good as traditional fixtures. Sorry to say, they are NOT the cheaper ones! Just so you know.

Many specifiers select LEDs from catalogs, or the recommendations of manufacturers. LED lights should never be selected without hands-on experience with the specific product plus a full understanding of how they operate and are used in theater.

Some of the problems with LED lighting that were never issues with incandescent:

  • Color Rendering Index– Incandescent Quartz stage lighting has a high CRI in excess of 90. What his means in simple terms is your eyes like it as a white light source. Many LEDs have poor CRI – i.e. your eyes don’t like them.
  • Color Consistency – Pick a few LEDs from different manufacturers and check their red/green/blue base Led colors – they are not the same. This makes it impossible to get various fixtures to match when trying to create white or a specific color. (With some manufacturers, pick two of the same fixture and they won’t even match!)
  • White Light color Temperature – many LEDs do not have a good “white “period.  When the red green blue base colors don’t work, white doesn’t either.
  • Poor dimming
    • Stepping, flickering, etc.….
  • Noise – Some LEDs have fans that kick on that are louder than HVAC noise.
  • Lack of light output when you make the fans quiet. Many “quiet mode “ settings restrict light output by as much as 50%.
  • High frequency noise when dimming, in some fixtures. A squeal or whine when dimming. Changes depending on  the color selected.
  • Colors at the edge of light beams – “rain bowing.”
  • Life spans that are much lower than expected. High output devices for theater are made possible  by overdriving the LEDs so they last much less than the 50,000 hours people expect.  It can be as low as 20,000.
  • Comparing data is not simple as many standards that do exist are not published by many manufacturers. You can’t compare what isn’t published.

Summary – You have to test to select appropriate LED fixtures.

At AVL we test equipment and test fixtures extensively before we specify them. We test fan noise, dimming, color, rendering, dimming noise, and overheat behavior. Based on those tests, we will specify different fixtures for different projects while considering budgets, needs, field conditions etc…..

Examples

  • High fan noise isn’t a problem in a mall, but is a problem in a theater.
  • White not a big deal if I’m lighting in blue.

LED is a fast moving industry so we are testing fixtures regularly. The latest offering may or not be an improvement and, in some cases, the latest and greatest have new issues that didn’t exist before.

LED Replacement Lamps and the dimming problem

What about just using LED lamp replacements ? There are many “dimmable” LED replacement lamps on the market. You would think if it fits in the socket and says it dims, it will – right ?  Not so much. Here is a brief discussion….

Incandescent Dimming

  • Incandescent dimming has been easy and, for the most part, reliable. Many dimmer types will dim an incandescent lamp pretty well.
  • The hope has been that LEDs would be better. That is not the case.

Dimming of LED Fixtures or Lamps:

  • LED lamps are called things like “dimmable” and “truly dimmable “ and “really dimmable”
  • Unfortunately, LED lamps  called “dimmable” can mean many things. It may mean they will dim well, not dim well, or not dim at all. Dimming can also shorten the LED lamps life if the drivers and the dimmer type are not compatible.
  • Any dimmable LED solution needs to be a designed solution. LEDs have solid-state drivers within the lamp or fixture, which need to be compatible with the type of dimmer being used. Dimmer types : ELV, MLV, SSR, TRIAC, SINE WAVE AND IGBT dimming are all options, but not all will properly dim a particular LED Lamp or fixture or in some cases a particular quantity of LEDs on a circuit.

Data Control Dimming

  • Some LED fixtures dim directly via DMX data, some with 0-10VDC (which has it’s own issues), some over DALI and other control schemes. These control schemes are more reliable where the fixture is self-dimming, but the solid-state driver circuit boards within the fixtures can be subject to damage from surges and low voltage.
  • In essence these driver boards are mini computers, which need to have protected power and have their power fully shut off when not in use. If this is not done, the fixture life may be shortened by data driver failure.  This requires an additional layer of control in the form of remote control relays or switches to kill the power feeds when the fixtures are dimmed off.

There are also issues of LED consistency device to device.  A row of LED’s where all but one dims well is likely due to a bad LED lamp, not necessarily a bad dimmer. It may also be conductor resistance, a bad LED driver, phase reversal, or a host of other issues.

Substitutes when dealing with LEDs cannot be simply a cut sheet saying a lamp or device is “dimmable.” Specific combinations of LEDs, quantities,  and dimming devices must have been tested as a system to verify they will actually work.

A well written on online resource that describes the issues of LED Lamp dimming is available at: LED Lighting – What You Need To Know

The US Department of Energy has authored this, as they recognize the issues moving forward.  Their basic recommendation is not to use any design without a mock up. Therefore, when a contractor wants to substitute a lamp for a specified LED,  the contractor will need to verify with the manufacturer that they have test data to support the dimming of the lamp in the configuration on the plans with the dimmer types and curve being used.

At AVL Designs Inc. we keep dimmers at our office and test the lamps that we might specify as replacements.

Copyright AVL Designs Inc 2020+

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